Nobody Inherited the Torch. Here's Why That Was Never About the Music.
Green Day's Woodstock bet unlocked a decade of punk. Thirty years later, the torch is still burning — but nobody's holding it.
Read moreProduct management through the lens of pop punk, anime and game dev. Building cooler products with more energy and less corporate nonsense.
Break the rules — Build cooler products — Have fun doing it
Green Day's Woodstock bet unlocked a decade of punk. Thirty years later, the torch is still burning — but nobody's holding it.
Read moreWhat's moving in anime, metal, J-pop and punk right now. One sharp take. No recap.
Soft Play’s Heavy Jelly hit #3 on the UK Albums Chart in October 2024. Lambrini Girls debuted at #16 in January 2025. Both bands are loud, politically sharp and unmistakably punk — neither has cracked the US market. The difference isn’t the music. The UK still has a functioning breakthrough infrastructure: BBC Radio 6, NME, and a festival circuit that creates shared cultural moments instead of algorithmic micro-niches. American punk isn’t dead. The channel that used to make a punk band a generation’s punk band is.
YOASOBI headline the Hollywood Bowl on August 16 — the anchor of an 8-date North American arena run. A J-pop duo closing a 20,000-cap iconic venue as a solo bill.
HANABIE just headlined 21 North American dates — first Japanese band at this scale since X Japan, first all-female Japanese band ever.
LOVEBITES and HANABIE didn't emerge from bedroom YouTube sessions. They came out of a system. The West hasn't noticed yet.
Ten hours of Coachella 2026 and one artist was in every set. His name wasn't on the lineup.
Writing a pop-punk song to understand yourself is an unusually honest personality test.
Hayao Miyazaki spent eleven years locked out of the American market rather than let anyone touch his films. Then the Oscar came.
The ad copywriter who made three games and stopped. Why that restraint matters.
In August 2009, 25,000 people sang along to a projection at Saitama Super Arena. Crypton Future Media had bet on something two years earlier that nobody else in the synthesizer business understood.
Tools and plugins built for people who think in systems and feel in riffs.
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